Querida Benita
Viewers interested in modern cinema often explore Querida Benita because of its cast, story direction, and audience popularity.
Written, produced, photographed, directed, and manipulated during performance by Rafael Corkidi, the "video theater" Querida Benita (1989) is a spectacle that breaks with the formats of film and video by situating itself in a sui generis setting (the Manuel M. Ponce Hall of the Palace of Fine Arts or a small stage in the basement of the El Juglar bookstore in August-October 1989), but it encounters the limitations of the dramatic current that it, moreover, inaugurates. These are the limitations of Mexican socialist unrealism.
