Critique of Separation
Fans of Documentary films may find Critique of Separation especially interesting thanks to its engaging atmosphere, visual presentation, and entertainment value.
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street.
