Fatale Femme
Fatale Femme is one of the most talked-about movies released in 1985, attracting audiences with its cinematic storytelling and memorable performances.
A structuralist self‑portrait that cycles repeated frames of Schillinger’s own body and face through generational processes (film to video back to film), using slow-motion and flickering grain to evoke and deconstruct the archetypal femme fatale image and female desire on her own terms.
